One of my most favoritist designers is Irina Poludnenko. She’s been around the knitwear design world for about 20 years, before the interwebs and Ravelry, so I caught her in Vogue Knitting.
A few years ago I knit* her #07 Slant Rib Pullover from Fall 2002 (which I believe is one of the best issues they’ve ever published).
Rina—which is what I would call her if we toasted each other at the VK Christmas party in NYC—is now an in-house designer for the yarn company Tahki Stacy Charles, and while her designs for them are rather fabulous, she’s been swinging for the bleachers since the beginning.
My love for her is infinite, but I’ve chosen a few stand-outs from her extraordinary body of work.
She took a mid-century funnel neck pullover and went Jetsons with the ridges and rips. (And is that Joan Severance?)
All. Those. Cables.
An homage to Pop Art that uses a mosaic(!) technique to create a fitted(!), shawl collar(!) cardigan.
A deep, deep, deep v-neck cabled pullover with a ribbed hem to hold it all together. (+1 for the magazine’s styling of this design. The belt closes the deal.)
The upside-down horseshoe cables on the peplum and bell sleeves that flow into waist shaping with XO cables that flow into ribbing that flow into plaited cables on the yoke and fitted sleeves. And the horseshoe placket that easily accommodates the buttons.
Unusual construction of a standard tank top that looks like a weatherman’s map of a cold front moving SE from the PNW.
A Nehru silhouette knit side-to-side with a zipper and semi-circle waist detail that forms a full circle when you sew everything together. It would be a great design without the circles, but that little detail… See? That’s why Rina rocks. And the colors.
A poncho that uses two yarn weights to create texture. And sleeves! My absolute favorite design by her that I’ve never knit for the simple reason that I haven’t ponied up $6 for the pattern.
I’ve been working on a similar design that has been submitted and rejected several times because I’m not Irina Poludnenko. Or more probably because—aha—I continued the lace pattern too far into the yoke. Also, mine has a better name than Ethel. (-1 for the magazine styling. Really? A collared shirt?)
If you can get past the Shrek colored yarn and obvious lack of blocking, this is a brilliant execution of multiple complex knitting and shaping techniques.
Cables that look like cousins, and without a heavy reliance on filler stitches.
First, the colors. And b) elongated entrelac in garter stitch.
A lot of Rina’s designs don’t have many projects on Ravelry, and I think it’s because she’s on an elevated plane. She’s one of those people whose designs you knit because they’re interesting or they’re going to develop your skills, and with the price of yarn these days knitters tend to knit wardrobe staples.
She mostly lets her designs speak for her, but if you’re interested in more about her or are curious about what she looks like when she travels to Europe with her family, you can read a rather serious interview she did in 2012 with another knitter named Robin.
*I didn’t put this project on Ravelry because the armscyes were too tight. My knitting hubris, however, prevented me from trying on the sweater before I blocked the whole thing, and when I finally admitted defeat and tried to unpiece it, I had done such a good job of weaving in my ends** that I couldn’t find the place to start unravelling***.
**Knitting hubris indeed.
***I can’t go Gordian on this because I’m out of yarn and need to tink to save every centimeter of yarn.
To Ponder: Your circumstances aren’t holding you back, your decisions are. |-John Assaraf-|