A couple o’ weeks ago, I submitted a proposal to Creative Knitting magazine for their 60+ Christmas Knit Ornaments issue that’s scheduled for publication in August 2015.
That’s not a magazine I normally buy, mostly because I’m never excited enough about a design to give an issue shelf space in my collection.
Although if that were a strict rule, I would cancel my subscription to Vogue Knitting.
But as I’ve said before, I don’t have to love a magazine to design for it. And this special issue sounded interesting‡ (in spite of all the exclamation points in their call for submissions).
There was, however, a kerfuffle in the Ravelry Designers forum about this call because Creative Knitting buys all rights, meaning they own the pattern forever and you won’t get the rights back after a year or two so you can sell it yourself, which is fairly standard in the industry. Some designers also thought that the pay range of $35–$75 per ornament (depending on complexity) was rather low, especially in light of the unfair rights situation.
And unless you’re the Yarn Harlot or Jared Flood, you probably wouldn’t be able to charge more than $1.00 for the pattern. And unless you’re the Yarn Harlot or Jared Flood^, you would be lucky to find 35 people to buy it.
So after you deduct all the fees to Ravelry and PayPal, you won’t even have enough money to buy yourself a small bottle of Crown Royal.
One designer commented on the low compensation, and the editor who had posted the call said it’s because ‘on small items, there is less time spent on creating/designing/pattern writing compared to designing a garment, and only one size is required which means grading the pattern (i.e., doing brain-frying maths for all the sizes) isn’t necessary.’
Well, yes and no. It’s true that grading a pattern requires a lot more time and effort, which takes a lot of time and is therefore worth a lot more money†, but writing a pattern for a small item is the same amount of trouble whether it’s a hat, a shawl, or a Christmas ornament—especially if the item has shaping or uses multiple colors or needs to be charted, which are all pretty much givens for an ornament—and Creative Knitting probably pays a lot more money for a hat.
Another complaint was about their contract procedures, but this post is getting too long (and possibly boring for my non-knitting readers), so I won’t go into it except to say that it does kind of suck, but Creative Knitting has been publishing 4–5 magazines a year since 2007, so everyone should stop acting like you have to promise your first-born to them.
So, after two weeks of ignoring daily reminders fired at me by my online calendar, I ignored the good opinions of other knitters, and through the magic of editing, turned some rejected lavender sachets into colorful Christmas ornaments and submitted them in the nick of time.
The way I see it, Creative Knitting needs 60+ patterns for this issue, so I have a decent chance of being accepted, made even better by the fact that at least three designers have no intention of submitting their ideas to these lowballing, rights-hoarding, secretive dirtbags who are going to send them free yarn and a check for the full amount; professionally photograph their ornament; and then publish it in an international magazine.
Pretty much the only thing no one complained about is that they don’t let you know if you’ve been rejected. The way it works is that if you don’t hear from them after 45 days, you just assume they don’t want your pattern.
‡Plus, I like that they’re calling it a Christmas issue rather than a Holiday issue.
*There is no second.
^And if you’re the Yarn Harlot or Jared Flood, you probably didn’t even read this call for submissions (or this blog post).
†Knitty’s pay range is $75–$100 per item and your pattern is available to everyone in the world—including those Russian websites that have no respect for intellectual property—for free until the end of time. And I bet most of those complainers have responded to every single one of their calls for submission with nary a whimper about rights or compensation.
To Ponder: If you limit your choices only to what seems possible or reasonable, you disconnect yourself from what you truly want, and all that is left is compromise. |-Anais Nin-|